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Nokia tying up with NTT DoCoMo for Japanese MVNO? 22 November 2008 at 5:58 pm by admin

So Nokia has a 40-odd percent stake in the world’s handset market. You know where that insanely high number isn’t coming from? Japan, where the Finnish giant holds less than a 1-percent share of phone sales as it competes against domestic models from Sharp, NEC, Fujitsu, and others who’ve traditionally ruled over FOMA with an iron fist. We think that we can probably chalk that up to the simple fact that Nokia doesn’t produce many (okay, any) wide VGA flip phones with one-seg TV tuners, but they’re thinking bigger — way bigger — to the tune of a self-branded MVNO that’d operate on NTT DoCoMo’s expansive network. A Japanese paper is reporting that the virtual network will launch next spring, initially with high-end models designed to establish name recognition in a market where it currently has none; Vertu is just starting to set up shop over there, so we’re assuming they don’t mean ridiculously high-end, but high-end in the sense that the spec sheets won’t get laughed right out of town.

[Via Unwired View, thanks Robin of Loxley]

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Nokia tying up with NTT DoCoMo for Japanese MVNO? originally appeared on Engadget on Sat, 22 Nov 2008 17:58:00 EST. Please see our terms for use of feeds.

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+ How CNN’s Holograms Almost Stole the Show By admin 05 November 2008 at 12:49 pm and have No Comments

3-D hologram technology made its way from Tatooine to CNN’s studio last night, enabling the network to "beam in" correspondent Jessica Yellin and hip-hop star will.i.am for virtual studio appearances with Wolf Blitzer.

And boy, is it cool.

Here’s how the hologram effect works, as we described it in yesterday’s Election Day gadgets story:

The hologram didn’t actually appear in the CNN studio. Instead, it’s an effect visible only to TV viewers thanks to a massive array of cameras and some really impressive real-time video processing.

To make it work, the virtual correspondents were sequestered in quiet rooms
and "scanned" through motion capture and camera-tracking telemetry.

Each VR-enabled room had between 35 and 44 small, fixed cameras, which combined to take in a 360-degree image of the person. The studio also had 20 PCs crunching the
data.

Once collected, the data was processed by graphics software,
which synchronized the angles needed to produce an accurate render that matched up with what the main CNN cameras were showing. 

In order to "see" each other and gauge their physical presence
within the virtual studio, Mr. Blitzer and the correspondents directed
their gaze towards at a 37-inch plasma screen (in regular 2-D) to make
sure they didn’t walk through their ghostly friends.

The hologram effect proved to be a technical success. The video-feed rendering of the human correspondents looked accurate, with precise and realistic perspective angles. It was especially impressive when the camera moved in real time, making it seem as if the person was really there.

We also liked the way Jessica Yellin was "beamed in" to the studio when she first appeared, and the fact that she had a sort of ghostly blue outline — both very cool sci-fi effects.

But for me, what really sold the illusion was that the hologram’s audio matched up accurately to the studio acoustics. 

Our main beef with the hologram was the fuzzy blurriness of the rendering around the faces. This problem was accentuated by the fact that the camera refrained from any close-up shots. Also, the bluish hue made it hard to see them in true HD.

But it’s the Blitzerization of the hologram subjects that frightened
us. Check out this gem from Mr. Blitzer towards Ms. Yellin:

"We can have a little bit more of an intimate conversation and our viewers can enjoy this as well."

Hmm. Sounds like someone’s getting a new hologram for Christmas.

See also:

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+ For TV Networks, Election Is an Orgy of Gee-Whiz 3-D Tech By admin 04 November 2008 at 5:14 pm and have No Comments

 

Chuck_todd_vr_11

As if this election weren’t exciting enough already, CNN has plans to sex up its coverage with 3-D holographic projections of its correspondents.

But CNN is not the only TV network relying on whiz-bang technology to help carry the day. After almost two years of mudslinging primaries, debates and
endless punditry, the Presidential election is finally here and there’s
a lot at stake for everyone, including the networks. The main question the TV networks face is this: How they will match the event’s historic importance with a presentation that is comprehensive, useful and visually dynamic at the same time?

With gadgets, of course! ABC, NBC, CBS and Fox will use everything from touchscreens to
supersized high-def plasma screens to help display election returns,
maps and an endless parade of commentators.

Here’s a look at some of the new tech you’ll see on the small screen on Tuesday.

Virtual Reality and 3-D Design

Fox News is doing things a little bit differently. The network designed two virtual reality studios (one for the Fox News Channel and one for Fox
Broadcast) with a giant wall of touchscreens, connected together to
provide electoral map results as they are released.

Election_058_fox

Fox is also taking the 3-D theme into the physical world by
attaching large, square displays to hanging cubes in the studio. With mounted
projectors overhead, the steady cam will be able to follow the anchors
around the studio, as each cube panel, with 1440 x 1440 pixel resolution, follows different
races. Nothing too high tech there, but the visual motion it will
create will add to the show.

NBC News and MSNBC will be using BrainStorm’s
3-D system to combine virtual reality with an innovative camera rig
that’s only been used in the movies up to now. As seen in the picture at the top of this story, Ann Curry and Chuck Todd will interact with data in a virtual
environment where the telemetry of the background changes, allowing for
close-up zooming and room-spanning shots. So as Todd inhabits the
virtual U.S. Capitol, the angles of its virtual interior will be
rendered accurately, as if he was inside for real.

Vr_polling_roomSenior
Art Director Tony Franqueira told Wired.com that NBC Artworks designers and
animators did all of the concept design, final graphics and sets
in-house and that as the virtual sets were being built, directors
set up camera shots that helped define the final look of the graphics.

"The design team wanted to make sure this wasn’t just an exercise in
‘whiz bang’ graphics but would actually complement the presentation,
not overpower it," he says. 

 

Virtual Holograms

Star Wars vividly portrayed a vision of 3-D hologram
technology. Now CNN wants to bring it to life in its studio, sort of,
except with Wolf Blitzer and other correspondents in place of Obi-Wan
Kenobi.

Blitzer is expected to use the technology to appear to talk to
virtual correspondents in the CNN studio, while their physical bodies
remain with the Obama and McCain campaigns. It’s like a satellite
appearance, except instead of appearing on a 2-D screen, it will look
like the correspondents are actually on the set next to Blitzer and
other anchors.

The 3-D appearance is not an actual hologram projected into the CNN
studios, but rather a virtual hologram, inserted into the video by some
sophisticated real-time effects processing. To make it happen, the
network has built hologram-enabled satellite sets at both campaign
headquarters, in Phoenix and Chicago, that are powered by motion
capture and camera tracking telemetry from VizRt and SportVu studios
(known for camera tracking). At each location CNN will have more than
44 small, fixed cameras and 20 computers. The cameras will take in
360-degree images of whoever is sitting in the middle of the remote
studio.

Once collected, the image data will be processed by software and
visual effects, which will synchronize the camera angles on the remote
correspondents with those on Blitzer, then insert the satellite feed
into the main video.

According to David Bohrman, senior vice president at CNN, Mr. Blitzer
and the correspondents will be addressing a 37-inch plasma screen in a
regular 2-D feed in order to ’see’ each other. Since they won’t
actually be able to see the "hologram," anchors will need a visual cue
to keep from walking through the holograms — in this case, a circle on
the floor.

Bohrman acknowledges this is a "very tough" project to pull off, but
the tests over the last week have proven to him that it can done. "It
will look very cool," he says. 

Despite repeated requests from Wired.com, the network was unable to provide images of the setup.


Touchscreens for Everyone

Cnnhd_election42_2
For CNN’s David Bohrman, the hologram is a nice cherry on
top of the network’s tech package, but the real conceptual breakthrough is the 3-D software CNN will
use to report the exit polls.

Soledad O’Brien and Bill Schneider will go over changes in demographics as well as Congressional and Senate seats using two 103-inch, 1080p Panasonic
interactive plasma screens (valued at $70,000 each) enabled with 3-D graphics. The large setup
will allow for side-by-side comparison of lots of data. CNN’s chief
national correspondent John King will again use the Perceptive
Pixel screens he handled during Super Tuesday. He’ll also use a 3-D, 6-foot-long wall to show the
changes in a virtual U.S. Capitol as election results are released. Expect him to
place specific winners in their appropriate slot inside the made-up
Capitol rendering.

Election_056_fox

Fox News, on the other hand, is using the less-is-more approach to its touchscreens. A vertical touchscreen TV will serve as the one "The
Launch Pad" center for all news updates. Made by Los
Angeles-based RealityCheck, the custom Launch Pad software program
provides a call-up menu for anchors to push-through data points or
feeds to the other screens, like the 15-x-8-ft. rear projection screen
in the above picture. When the information moves from one screen to the
next, the graphics will make it appear as if the feeds will "float into
the surrounding monitors."

ABC is also getting on the touchscreen bandwagon in a big way. It has
bought a lot of Perceptive Pixel screens and have incorporated its
graphics software (Discreet Frost) in six weeks (it would regularly take six months
to do so otherwise). These screens will display result boards
instantaneously and compare results to those in previous elections, going all the way back to 1960.

Perceptivepixelonele26c2d0_plasmas

CBS anchor Katie Couric will also use a touchscreen, though the rumor
is that NBC has upgraded the quality from the Elo TouchSystems
26-incher
to, you guessed it, a Perceptive Pixel screen. CBS will also use the VizRT graphics software that will run CNN’s holographic experiment, but on different platforms (SGI Onyx and O2 workstations, if you’re on the heavy technical bent.)


In Public Places, Size Still Matters

If you’re in New York, and you for some reason lack a television, the networks have got you covered: There will be several giant displays showing real-time election results in the open, chill November air.

Clear_channel_super_screen

In Times Square, CNN will host a viewing party for spectators, who will
be able to see the broadcast on one of the largest high-definition digital displays
in the world.  ClearChannel’s Spectacolor WiFi-enabled LED digital
display is mounted in front of Duffy Square and measures 40 by 40 feet. To get the audio, people on the street just need to dial a number on their cellphones.

Fox will also be moving outdoors, with its News show "Strategy Room"
(on 48th & 6th in New York City) and a new 28-foot Astrovision screen (created by Panasonic and similar to the
one used at the Republican National Convention).  A Fox News
representative promised us that during that show, a Fox news
anchor (possibly Shepard Smith) will be playing Rock Band, though not
necessarily on the big screen.

Nasdaq

The ABC tech team will also be coding its video feeds to three differently sized screens displaying election results on Broadway in Times Square,
including the giant SuperSign, and the large Reuters screen. All the info on the screens will be fed
by an RSS feed controlled from the main studio. This will allow anchors
to publish information straight into the screen with a quick touchscreen command.

NBC will set up its Election Plaza surrounding their 30 Rockefeller
Ave. headquarters, and will project a map of the United States into the address’ famous ice
rink as the results come in.

If you don’t happen to live in New York, Clear Channel will broadcast the results to 250 other digital billboards throughout the country. Also, the over 300 taxis in New York and Boston that come with Digital Smart Tops displays will show the results.

HD Feeds Lead to Information Overload

ABC and Fox News are also using the extra real estate of their HD feeds to fill up the screen with even more election information. Expect the biggest political junkies to dig this feature the most.

Ny_pop_vote_21

We spoke with ABC News Creative Director Hal Aronow-Theil who said his broadcast would show breakdowns of the race from ABC, Reuters and Nasdaq along the left border of the screen.

They’re doing this despite the fact that some viewers have indicated that too much information on the screen at the same time is not conducive to the best viewing experience. For example, many people thought CNN’s second-by-second voter approval-rating device during the last debate made concentrating on the candidates a much more difficult affair.

Still, says Mr. Aronow-Thiel, "we’re really not worried about providing too much information."

If you only have one TV and don’t want your finger to fall apart from all the channel flipping, DirecTV will have an "Interactive Election Mix Channel" that will feature eight network feeds and a real-time election blog to track it all.

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+ Robotic Flautist Plays Sweet Music By admin 04 November 2008 at 4:51 pm and have No Comments

Robot_flutist
Could the next great classical musician be a robot?

Yes, if Waseda University’s robotic flautist can evolve.

The robot, which has an anthropomorphic or human-like quality, can play the musical score ‘The Flight of the Bumblebee’ almost flawlessly.

The latest version of the robot was presented at the BioRob 2008 conference in Arizona two weeks ago.

The robot’s eyes have two cameras that allow it to interact with
others in a performance and even the eyebrows on its face can move
freely as it plays.

It also has a lung and mouth that boasts impressive
mechanical design and allows the robot to control the flow of air into
the flute. The process is aided with its artificial lips that were designed to have elasticity similar to human lips allowing for better manipulation of the air.

Developing the robot has been a long process. Research on it started in 1990 but the scientists created the first version in 2003 with the goal that it would ultimately reach a level of musical ability rivaling that of humans.

That includes the robot being able to perform a music recital that has more natural notes and smoother transitions between the notes. This year, says the project’s website, the lips and the tongue mechanisms of the robot were re-designed to more accurately mimic human organs.

The robot is not just a gimmick but the idea is to eventually make it sophisticated enough to enable better human-computer interaction. The robot could potentially be used to teach music hope the researchers.

Check out this video of it playing the Flight of the Bumblebee. It is impressive though admittedly lacking in it that little emotional something that makes great music.

Photo: The Waseda Flutist

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+ iPhone App Tracks the Election By admin 04 November 2008 at 4:49 pm and have No Comments

Polltrack

It’ll only be useful for one day, but iPhone users keeping up with the election might as well download the Obama/McCain Poll Tracker. The free app displays a feed of poll results from various poll-tracking web sites.

Then again, Webmonkey’s Mike Calore points out that the only site you need to track the election is IsObamaPresident.com. Gets straight to the point, huh?

Download Link [iTunes]

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+ Videoblog: All-in-One PC Lays Up Good Specs But Misses Perfect Scores By admin 04 November 2008 at 4:25 pm and have No Comments

Is an All-in-One PC worth the trouble if it doesn’t excel at any single task but performs many different ones adequately?

In this week’s Gadget Lab Videoblog, Daniel Dumas and Terrence Russell go over the second version of the Dell XPS One All-in-One PC, and they find that it’s an OK product upgrade due to its quad-core processor and huge 4 GB of RAM. Add a Blu-ray drive to the same ol’ touch controls menus and you have a nice versatile rig that distributes the ball around the tech spec court, even if it can’t dunk with authority. You know, kinda like John Stockton.

In addition, Daniel and Bryan Gardiner will go over the Sony DSC-t500 point and shooter that is the only small-bodied camera that can also shoot 720p HD video.

If the video above is not working, please click here to view it on YouTube: Gadget Lab Videoblog: Dell XPS One All-in-One PC and Sony’s t500 Camera.

You can also check out all of our previous videos at Wired’s channel on YouTube.

This episode of the Gadget Lab Videoblog was created by Annaliza Savage (producer), John Ross (camera), and Fernando Cardoso (editor).

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+ Bluetooth Gloves Let You Talk to the Hand By admin 04 November 2008 at 4:13 pm and have No Comments

Gcellhiresol
Workaholics and tech geeks alike can’t get away from their phones even
when they’re sloshing through slow, and the Bluetooth-equipped G.Cell
gloves were made just for them.

The gloves, made by Swany,
communicate with a Bluetooth-enabled handset. The microphone sits inside
the base of the thumb, and the listening device is in the pointer
finger. So when talking on the phone, you’d cup a glove across your
ear to keep the cold and wind out, according to a Swany spokesman.

The G.Cell’s much more interesting than other gloves built for handsets and music players
that we’ve seen in the past. Too bad they don’t come cheap at $500.
Swany said the gloves are in limited-production mode, so those
interested in purchasing the gloves will have to enter a lottery. Once
the gloves go into full production, the cost should come down,
according to Swany.

Product Page [via UberGizmo]

Photo: Swany

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+ The Five Awesomest TV and Movie Spaceships By admin 04 November 2008 at 3:36 pm and have No Comments

1980_toltoys_millenium_falcon.jpg

Science fiction might be all about the future, the possibilities and limits of human beings when placed in extraordinary situations. It might offer a way to explore hot political topics through a less incendiary medium. But who cares?

The best things about sci-fi are the rides: the hyperspace-surfing, gravity-defying spacecraft. Freed from the constraints of Earthly physics and $4 per gallon gas, the spaceships on TV and in the movies can spend their time looking mean and, frankly, kicking ass. Here’s a list of five of the best.

Buck Rogers’ Fighter

buck.jpg

Sure, it’s part X-Wing, but there’s something seriously cool about the 1980s Buck Rogers fighter. It’s sleek but just the right amount of boxy, and those twin spikes on the front make it look baaad. Of course, those spikes didn’t make it into the toy version — they were joined by a flat strip of metal to disable their eye-gouging abilities.

Sadly, the fighter was just about the only decent thing in the show (although my Dad had a decidedly non-soft spot for Col. Wilma Deering). Buck himself was played by the paunchy Gil Gerard, shoe-horned into a tight white suit, and even the robots were bad (just what was Twiki up to?) In fact, the only thing saving the show was that it was a lot better than the Buster Crabbe version.

Discovery 1

2001_discovery2.gif

It might not be a badass fighter, but the Discovery, from 2001: A Space Odyssey, was the first movie spaceship that actually looked like a spaceship, not just a cross between a hotrod and a fighter plane. Long and thin with a bulbous head, it would snap like a Twiglet in Earth gravity, but in space, it’s perfect.

And for the physics nerds, the ship had one other "feature" not often seen in the movies: You couldn’t hear it. All those blaster and laser sounds in Star Wars? Impossible. Vacuums don’t carry mechanical sound waves. Mark one up for the pedantic movie geek.

The Millennium Falcon

falcon8.jpg

This is here because it has to be. Probably the coolest spaceship ever seen, Han Solo’s freighter foreshadowed William Gibson’s ramshackle, workaday, cobbled-together tech by seven years. Sure, it looks like a giant metal hamburger, but we’d like to see a Big Mac that could make the Kessel Run in less than 12 parsecs.

The Viper

viper.jpg

Another X-Wing look-alike, from another better-than-the-original remake: Battlestar Galactica. The Viper is the ship you’d fly if you could pick any spaceship to take for a ride, if only for the psychedelic launch-tube experience.

We can’t decide whether the original or the re-imagined Viper would be more fun to drive but either way, the Starhound Class fighter/interceptor has the distinction of being flown by the only starfighter pilot to give her (or his) name to a chain of overpriced coffee shops.

Romulan Warbird

warbird.jpg

Why did we pick this over the Enterprise, or the Klingon Bird of Prey? Just look at it. Of all the Star Trek ships, the Warbird is the scariest, most kickass-looking of them all. Positive proof that the bad guys always get the best gear. Compare this to the USS Enterprise, which looks like a dinner plate and a couple of flashlights.

The People’s Choice

Obviously I will have picked the wrong top five, so here’s your chance to fix things. Tell us what you think is the Awesomest Spaceship of All Time.

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+ DVDneXtCOPY iTurns Removes iTunes DRM with Virtual CD Burner [Featured Windows Download] By admin 28 October 2008 at 9:00 am and have No Comments

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+ DVDneXtCOPY iTurns Removes iTunes DRM with Virtual CD Burner [Featured Windows Download] By admin 28 October 2008 at 9:00 am and have No Comments

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